Dua Lipa walks on the Versace catwalk and Prada successfully resists | Way of life

The question at Fashion Week is, 19 months later, whether the coronavirus pandemic has made a real difference to the cruising and tailoring-centric system, in addition to the four-time-a-year ready-to-wear cycle. .. Yes, the show is socially distant and has fewer editors than ever. But for companies competing to bring sales back to pre-pandemic levels, questions remain. Is a deeper change really taking place?

Signs of a climate march in central Milan prompted “dress changeâ€, the slogan of a polluted industry alongside energy. Read another sign: “Everyone wants to be warm, but the earth is not one of them.

Some highlights from the Friday show:

Prada deconstructs evening wear

Prada returned to the runway live for the first time since February 2020, just as Italy announced the creative partnership between Miuccia Prada and Raf Simons and detected the first case of local infection with the novel coronavirus.

When the old-fashioned ritual resumed, fans rushed to the sidewalk outside the Prada Foundation showroom and contemporary art exhibition space, welcoming VIPS and influencers.

Inside there was plenty of room for the masked editor, who was scrutinized by the Passe-Santé, sitting at a social distance. Another show was presented in Shanghai at the same time, and an image of the darkened skyline was shown in the Milan showroom.

The designer shows that the third collection of the Prada Simmons era is a deconstruction of traditional evening wear (trains, corsets, evening dresses) as a study to reveal the sensuality and appearance of women. It is indicated in the leaflet.

Simmons lamented the “unreality†of evening dresses as “but beautifulâ€. It is true that many dresses have spent their pandemics lying around in the closet without warning.

“These clothes can be complicated: evening dresses, historical outfits. We want to make them simple, easy and modern, â€explains Simons.

The couture silk miniskirts trailed long sashes and sometimes remained loose. More formally, the skirt had a tail full of black tie. They were worn with a sweater, distressed leather bomber jacket and sleeveless blouse with a black and white print laced up for a punk feel.

The dress was closed at the waist and left open behind to suggest the Prada V logo, and the skirt had a deep inverted V slit. The bare bicep leather strap gives it a nice look.

The knit is soft, with bib and corset details and is finished with the same leather bicep strap. The knit mini tunic was worn over matching shorts with a tight waist

The color palettes ranged from navy blue and black to cotton candy pink and canary yellow. The magenta accent is acid green, complementing the girly pink. The shoes were low, with cantilevered heels, giving the feeling of suspension.

For Prada, it is a mistake to discuss the show from a “back to normal†perspective.

“We’ve learned that fashion involves a much larger world,†Prada said in an exhibition note. “How can I come back after everything has happened?” “

Track energized by Versace

Donatella Versace energized Milan Fashion Week with a star-filled parade and front row, and a collection of house codes: bright colors, safety pins, and above all, silky scarves.

British singer and new fashion icon Dua Lipa has her skin held up with colorful safety pins as her song “Physical” blows the room up and closes with a liquid Fuxia skirt and corset. We had a parade in an exposed black suit.

Meanwhile, she and Naomi Campbell dressed up in bright colors with a smile in a hot pink suit and orange shirt. Silver dress.

The show begins with a black suit and dress with a little flash of pins and crashes peeking through the hems and slits, and the colors get even bolder until they explode into a vibrant palette of pink. , aquamarine, froth green, acid green and yellow. Made.

The female figure is confident, and well-fitting dresses and skirts have a variety of high slits in the skirt, pin-up tights, and corsets and bra tops exposed to expose the skin. Provides a way. The shoes included shiny satin wavy platform shoes.

Men’s fashion was more casual, with floral suits, sporty varsity jackets with mesh tops, tight latex t-shirts, and shiny leather jackets paired with jeans.

Outside the Versace Hall, many fans were waiting for a party like 2019 to get a glimpse of the arrival of the VIPs.

Front row guests include Chiara Ferragni, who went from fashion influencer in Milan to entrepreneur, her husband, singer Fedez, Addison Ray, who went from American influencer to actress, and actress Bella Thorne and her italian boyfriend. Included was singer Benjamin Mascolo.

Sunnei brand designers Simone Rizzo and Loris Messina encouraged fashion crowds to wear sunglasses in a white tunnel and watch the strobe lights flash to view the collection.

The youthful collection was layered, wearing long skirts over slacks and peering through the grassy fringes of Bermuda shorts. The proportions were mostly loose and oversized, gathering coats at the waist to provide definition. The bag was flexible and large, or strictly box-shaped.

Sunglasses, the severity of the blinking tunnel, strapped to the back of the head.